Sans Superellipse Abkal 11 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Orgon Plan' by Hoftype, 'Danos' by Katatrad, 'Roihu' by Melvastype, 'Bitner' by The Northern Block, and 'Ranelte' by insigne (names referenced only for comparison).
Keywords: ui design, app interfaces, wayfinding, branding, packaging, modern, utilitarian, friendly, clean, tech, system clarity, modern branding, interface legibility, geometric softness, rounded corners, geometric, closed apertures, compact, sturdy.
A clean, geometric sans with superelliptical construction: many curves resolve into rounded-rectangle forms rather than true circles. Strokes are even and sturdy, with softly squared terminals and consistently rounded corners that keep counters compact and controlled. Uppercase shapes read broad and stable (notably the boxy O and D), while lowercase forms maintain a straightforward, economical rhythm with minimal modulation. Numerals follow the same rounded-rect geometry, producing a cohesive texture in both single characters and running text.
Its even stroke weight and simplified geometry make it well suited to UI and product interfaces, dashboards, and system-style labeling where clarity and consistency matter. The softened, superelliptical forms also lend themselves to contemporary branding and packaging, especially for technology, tools, and modern consumer goods. It should perform well in short to medium text blocks where a controlled, compact texture is desirable.
The overall tone is contemporary and pragmatic, with a friendly edge created by the softened corners. It feels tech-forward and systematic without becoming cold, balancing neutrality with a subtle softness that suits product-oriented communication.
The design appears intended to deliver a modern, system-ready sans that remains approachable by trading sharp corners for rounded-rect geometry. The aim seems to be dependable legibility and a cohesive, engineered look across letters and numerals, suitable for digital-first environments.
Round letters like O, Q, and 0 lean toward a squarish bowl, creating a distinctive, slightly condensed-in-feel silhouette. Openings in letters such as C, S, and e appear relatively tight, contributing to a compact, disciplined color in paragraphs and signage-sized settings.