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Free for Commercial Use

Distressed Sete 2 is a very bold, narrow, high contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'CF Blast Gothic' by Fonts.GR, 'Handbills And Posters JNL' by Jeff Levine, and 'Goudar HL' by Stawix (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, album covers, gritty, vintage, industrial, loud, rugged, impact, texture, vintage feel, printed look, condensed, blocky, stamp-like, textured, eroded.


Free for commercial use
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A condensed, all-caps-forward display face built from heavy, blocky letterforms with compact counters and a largely vertical, upright skeleton. The strokes look pressure-printed: edges are irregular and chipped, with intermittent bites, scuffs, and speckled interior wear that varies from glyph to glyph. Terminals are mostly blunt and squared, and curves (C, O, S) are tightened into sturdy, squared-off rounds, producing a dense, poster-ready silhouette. Spacing appears relatively tight and the texture introduces a lively, uneven rhythm across words.

Best suited to short, high-impact settings such as posters, headlines, packaging labels, and logo/wordmark-style lockups where the distressed texture can read clearly. It also works well for event promos, album/merch graphics, and themed editorial titles where a worn print or stamped look supports the message.

The overall tone is gritty and punchy, evoking worn signage, inked stamps, and distressed headlines. Its roughened texture reads as hands-on and utilitarian rather than polished, with a vintage-industrial attitude that feels assertive and slightly rebellious.

The design appears intended to deliver maximum impact in a condensed footprint while adding instant atmosphere through deliberate erosion and print-wear artifacts. It prioritizes character and texture over neutrality, aiming to make text feel physically printed, handled, and weathered.

Texture is integral to recognition: at smaller sizes the distress can close counters and reduce clarity, while at larger sizes it becomes a strong graphic feature. Numerals share the same rugged treatment and heavy presence, keeping headings and short callouts visually consistent.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸