Distressed Gone 3 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Niquitta Mirzani' by Arterfak Project; 'Double Porter' by Fenotype; 'Frontage Condensed' by Juri Zaech; 'Angmar', 'Delonie', and 'Headpen' by Umka Type; and 'Bronco Valley' by Variatype (names referenced only for comparison).
Keywords: posters, headlines, logotypes, packaging, signage, western, vintage, rugged, poster, saloon, aged print, period display, rustic impact, thematic branding, slab serif, tuscan, bracketed, stencil-like, weathered.
A heavy, condensed display serif with squared, slab-like stems and pronounced bracketed serifs that flare into subtle tuscan-style notches. The letterforms are compact and tall, with tight counters and a strong vertical rhythm that reads as poster-oriented rather than text-driven. Edges show deliberate distressing: small chips, speckling, and uneven interior bite marks that simulate worn ink or rough printing. Round letters stay sturdy and upright, while diagonals and joins remain chunky to preserve mass at large sizes.
Best suited for short, high-impact copy such as posters, headlines, event flyers, and display typography where the distressed texture can be appreciated. It also works well for branding moments like logotypes, product labels, and packaging that aim for a vintage or western mood. In longer passages or small sizes, the dense weight and texture can reduce clarity, so generous size and spacing help.
The overall tone feels old-time and theatrical, evoking wanted posters, saloon signage, and turn-of-the-century print ephemera. The distress adds grit and tactility, giving the font a rugged, work-worn character rather than a clean, modern finish. It comes across as bold, assertive, and slightly nostalgic.
The design appears intended to deliver a classic slab-serif poster voice with a deliberately aged, printed-from-worn-type look. Its condensed build and strong serifs prioritize punch and presence, while the distressing supplies instant atmosphere for themed or nostalgic layouts.
Distressing is moderately consistent across uppercase, lowercase, and numerals, creating texture without fully breaking silhouettes. Several glyphs include small interior voids and irregular nicks that become more visible as size increases, adding an aged-print effect. The condensed proportions and heavy serifs make spacing feel tight and energetic in headline settings.