Sans Normal Okdam 9 is a bold, normal width, low contrast, upright, short x-height font visually similar to 'Futura EF' by Elsner+Flake; 'Futura Now' by Monotype; 'Futura ND', 'Futura ND Alternate', and 'Futura Next' by Neufville Digital; 'Futura PT' by ParaType; and 'Futura Round' and 'URW Geometric' by URW Type Foundry (names referenced only for comparison).
Keywords: branding, headlines, ui labels, posters, packaging, modern, friendly, clean, confident, neutral, clarity, versatility, modernity, approachability, impact, geometric, rounded, solid, high legibility, compact lowercase.
This typeface is a sturdy, geometric sans with smooth, round bowls and a largely uniform stroke thickness. Curves are clean and circular (notably in O/C/G), while joins and terminals are straightforward and minimally shaped, keeping the letterforms crisp. The lowercase appears relatively compact with short extenders, and the counters are open enough to maintain clarity at display and text sizes. Numerals are hefty and clear, with a simple, contemporary construction and consistent spacing rhythm.
It works well for branding and headline settings where a strong, clean sans is needed, and it should also perform effectively for UI labels and signage-style applications due to its clear shapes and sturdy strokes. The compact lowercase and even texture make it suitable for short blocks of copy, especially when a modern, friendly tone is desired.
The overall tone is contemporary and approachable, with a no-nonsense clarity that feels dependable rather than decorative. Its rounded geometry gives it a friendly, accessible voice while the weight and simplicity lend confidence and emphasis.
The design appears intended as a versatile geometric sans that prioritizes clarity and a consistent, modern rhythm. Its construction favors simple, rounded forms and straightforward terminals to deliver an approachable yet assertive presence across common display and interface contexts.
The font’s geometry produces a consistent, even color in paragraphs, and the broad curves help keep forms distinct. Diacritics and punctuation aren’t shown beyond basic sample text, but the core Latin set presented reads cleanly with steady spacing.