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Free for Commercial Use

Sans Superellipse Osgep 2 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Brinova' by Digitype Studio, 'Benton Sans' and 'Benton Sans Std' by Font Bureau, 'ITC Franklin' by ITC, 'Latino Gothic' by Latinotype, and 'Body' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, branding, industrial, utilitarian, assertive, modern, compact, compact impact, sturdy clarity, modern utility, geometric, squared-round, blocky, sturdy, high-impact.


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This typeface is a compact, heavy sans with squared-round construction: bowls and counters read like softened rectangles rather than true circles. Strokes are consistently thick with minimal modulation, producing dense, dark letterforms and strong vertical emphasis. Apertures are generally tight and counters are small, while terminals are mostly flat and clean, giving the design a disciplined, engineered feel. The lowercase uses simple, sturdy forms with a single-storey “a” and “g”, and the figures follow the same blocky, rounded-rectangle logic for a visually unified set.

Best suited to short, high-impact settings such as headlines, posters, signage, and bold brand statements where compact width and strong color are advantages. It can also work for packaging or labels that need a sturdy, industrial-modern impression, while longer passages may benefit from larger sizes and generous leading.

The overall tone is tough and straightforward, with a functional, industrial voice that feels contemporary and no-nonsense. Its compact width and heavy color lend a sense of urgency and authority, making it feel more like a tool for impact than for delicacy.

The design appears intended to deliver maximum impact in a compact footprint, pairing geometric, squared-round forms with heavy strokes for clear, confident display typography. Its consistent construction suggests a focus on strong rhythm and visual uniformity across letters and numerals.

In text, the tight apertures and dense color create strong presence but can also reduce whitespace within and between letters, so spacing and size choices will strongly affect clarity. The rounded-rectangle geometry keeps the look friendly enough to avoid harshness while still reading as robust.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸