Sans Superellipse Imdot 3 is a very bold, very wide, low contrast, italic, normal x-height font.
Keywords: headlines, posters, sports branding, gaming ui, tech packaging, futuristic, racing, tech, dynamic, industrial, speed cue, sci-fi styling, brand impact, display focus, aerodynamic forms, rounded, streamlined, slanted, geometric, compact counters.
A heavy, slanted sans with rounded-rectangle construction and softened corners throughout. Strokes are monoline and blocky, with frequent horizontal slicing and notched cut-ins that create a segmented, speed-line effect, especially in E, F, S, Z and several numerals. Bowls and counters tend to be compact and slightly squarish, while joins are smooth and continuous, producing a streamlined silhouette. Uppercase forms are wide and stable; lowercase is similarly broad with single-storey a and g and minimal interior apertures, emphasizing mass and flow over openness.
Best suited to display roles where its speed-inspired cuts can read as intentional styling: headlines, posters, event or team branding, gaming titles, and tech or automotive packaging. It can also work for short UI labels or on-screen graphics when set large enough to preserve the internal breaks and compact counters.
The overall tone is fast, assertive, and distinctly futuristic, evoking motorsport graphics and sci‑fi interface labeling. Its angled stance and segmented details add urgency and motion, while the rounded geometry keeps it approachable rather than harsh. The result feels engineered and performance-oriented, suited to bold, high-impact messaging.
The design appears intended to merge rounded, superelliptical letterforms with aerodynamic, segmented detailing to communicate motion and modernity. It prioritizes a strong silhouette and a consistent, engineered texture across the alphabet, aiming for immediate impact in branding and title typography.
The distinctive “broken” horizontals and occasional underlines/overhang-like cuts can become the defining texture in words, creating a strong rhythm across lines. Because counters are tight and terminals are often clipped, the face reads best when given room—either at larger sizes or with generous tracking and leading.