Sans Superellipse Firiz 6 is a very bold, very wide, low contrast, italic, normal x-height font visually similar to 'Seeker' by Asenbayu and 'Logik' by Monotype (names referenced only for comparison).
Keywords: sports branding, racing graphics, tech interfaces, headlines, posters, futuristic, sporty, technical, aggressive, dynamic, speed emphasis, tech aesthetic, display impact, branding voice, rounded, squarish, oblique, extended, streamlined.
A heavy, obliqued sans with extended proportions and a squarish, superelliptical construction. Counters and bowls are rounded-rectangle shapes, while terminals are smoothly sheared to match the forward slant, creating a cohesive, aerodynamic silhouette. Stroke weight is broadly uniform and dense, with compact apertures and sturdy joins that emphasize a continuous, machined rhythm. Numerals and capitals feel especially blocky and stable, with consistent corner radii and a deliberate, engineered geometry.
Best suited for impactful display settings such as sports identities, racing/event graphics, gaming or tech UI titles, and poster headlines. It can also work for short, high-contrast UI labels or packaging callouts where a compact, engineered look is desired, but it is less ideal for long-form text due to the dense counters and strong slant.
The overall tone is fast, modern, and performance-oriented, evoking motorsport, sci‑fi interfaces, and technical equipment branding. Its forward lean and dense, squared curves read as confident and assertive, while the rounded corners keep it approachable rather than harsh.
The font appears designed to project speed and engineered precision through extended widths, a consistent forward slant, and rounded-rectangular forms. Its intention is to deliver high-impact, contemporary display typography that feels aerodynamic and technical while maintaining smooth, friendly corner treatment.
The design language relies on sheared horizontals and rounded-square counters, which reinforces a cohesive “speed” motif across letters and figures. The boldness and tight internal space make it most striking at medium-to-large sizes where the shapes can breathe and the superelliptical details remain clear.