Sans Superellipse Perih 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Chubbét' by Emboss, 'Helvetica Now' by Monotype, and 'NeoGram' by The Northern Block (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, signage, playful, friendly, punchy, retro, display impact, friendly tone, retro flavor, signage feel, chunky, soft-cornered, compact, bouncy, sturdy.
A heavy, soft-cornered sans with rounded-rectangle geometry and broad, even strokes. Curves are squarish and superelliptical rather than circular, giving counters a boxy, inflated feel. Terminals are blunt and slightly irregular in silhouette, with subtly varied curvature and edge tension that reads more hand-cut than mechanically perfect. Proportions are compact with wide stems, short apertures, and generally generous inner spaces for the weight; the lowercase shows single-storey forms and simple construction, while numerals are bold and blocky with rounded corners.
Best suited to headlines and short bursts of text where its chunky shapes and soft corners can read clearly and project personality—posters, product packaging, labels, branding marks, and playful signage. It can also work for emphasis in UI or editorial layouts when used sparingly and with ample size and spacing.
The overall tone is upbeat and approachable, with a bold, poster-like presence. Its softened corners and slightly wonky shapes add warmth and humor, evoking casual signage and mid-century display typography rather than a strict corporate voice.
The design appears intended as a characterful, high-impact display sans that balances strength with friendliness. Its superelliptical forms and slightly irregular finishing aim to create an approachable, retro-leaning voice while staying simple and highly legible in large-format use.
The rhythm feels intentionally uneven in small details (like slight flare and waviness at some strokes), which adds character at large sizes. Distinct silhouettes help separation in display settings, while the compact apertures suggest avoiding very small text sizes where counters could close up.