Sans Superellipse Vumu 9 is a regular weight, very wide, low contrast, upright, normal x-height font visually similar to 'TT Autonomous' by TypeType (names referenced only for comparison).
Keywords: ui labels, signage, headlines, posters, packaging, techy, retro-futuristic, clean, friendly, geometric, interface clarity, geometric branding, futuristic display, system design, rounded corners, squared curves, modular, monoline, open counters.
A geometric sans built from rounded-rectangle and superellipse-like curves, pairing straight strokes with softened corners. Strokes are essentially monoline, with smooth joins and a consistent, engineered rhythm. The forms are notably wide and stable, with generous horizontal proportions and open apertures; round letters read more like squarish bowls than circles. Uppercase construction is crisp and architectural, while lowercase maintains the same squared-curved vocabulary with simple, readable shapes and short, minimal terminals.
Works well for interface labels, dashboards, and wayfinding where wide, open forms and rounded corners aid quick recognition. It’s also a strong choice for headlines, posters, and branding systems seeking a clean geometric voice with a tech-forward personality. At larger sizes it reads especially well in product names, packaging, and environmental graphics.
The overall tone feels modern and technical, with a subtle retro-futurist flavor reminiscent of display typography used in interfaces and sci‑fi labeling. Rounded corners keep it approachable and friendly, tempering the mechanical geometry. The wide stance and squared curves project calm, structured confidence rather than speed or exuberance.
Likely designed to deliver a contemporary geometric sans with superelliptical construction—combining the clarity of straight strokes with softened corners for a controlled, modern look. The emphasis on wide proportions and consistent monoline drawing suggests an intention toward legible, system-friendly display text and compact labeling where distinctive, squared curves provide character without ornament.
Figures follow the same rounded-rect geometry, and the slashed zero is prominent and utilitarian. Several glyphs emphasize horizontal emphasis and smooth, controlled curvature, giving text a sleek, instrument-panel feel at larger sizes. The punctuation and dots appear square/rectilinear, reinforcing the modular character.