Sans Superellipse Adder 6 is a regular weight, very wide, medium contrast, upright, normal x-height font.
Keywords: ui text, wayfinding, data display, packaging, headlines, modern, technical, clean, friendly, geometric clarity, friendly utility, systemlike consistency, legibility focus, squared-round, geometric, open apertures, rounded corners, monolinear.
This typeface uses a squared-round, superelliptic construction: curves resolve into rounded-rectangle bowls and counters, and many joins end in softly squared terminals. Strokes read largely monolinear with subtle modulation, producing crisp, dark silhouettes without looking heavy. Proportions lean expansive with broad rounds and generous horizontal spacing; circular letters like O and Q appear wide and steady, while straight-sided forms (E, F, H, I, L) keep a firm, rectilinear rhythm. The lowercase shows single-storey a and g, a compact, straightforward r, and a simple l; figures are similarly clean, with open shapes on 6/9 and a flat-topped, angled 7.
It suits interface and product typography where clarity and consistent rhythm are important, and it scales well for labels, dashboards, and short UI strings. The broad, open shapes also make it effective for headlines and signage-style applications, especially where a modern, softened-geometric voice is desired.
The overall tone is contemporary and pragmatic, combining geometric clarity with softened corners that keep it approachable. It feels utilitarian and system-like rather than expressive, with a calm, even color that supports information-first typography.
The design appears intended to merge geometric construction with softened, squared-round forms, delivering a contemporary sans that remains friendly while staying highly structured. Its consistent stroke behavior and spacious proportions suggest a focus on legibility and stable texture in both short and longer settings.
Notable details include the squared-off stress in bowls (especially in o/e/c) and the consistent use of gently rounded corners that prevents the design from feeling mechanical. The punctuation in the sample text appears to sit neatly on the baseline and aligns well with the font’s broad proportions, helping multi-line settings stay orderly.