Sans Other Sefo 6 is a light, narrow, monoline, upright, normal x-height font visually similar to 'Angulosa M.8' by Ingo (names referenced only for comparison).
Keywords: ui labels, tech branding, posters, headlines, signage, techno, modular, futuristic, schematic, precise, digital aesthetic, modular construction, geometric clarity, sci-fi tone, angular, geometric, rectilinear, octagonal, stencil-like.
A rectilinear sans built from straight strokes and hard corners, with rounded curves largely replaced by squared or chamfered turns. Bowls and counters read as boxy, often octagonal forms, and many terminals end in clean right angles. Proportions are tall and compact with consistent stroke behavior; letters like O/Q and D are constructed as near-rectangles, while diagonals (A, V, W, X, Y) are sharply cut and symmetrical. The overall rhythm is crisp and modular, with deliberate simplification in forms such as S and G that favors straight segments over continuous curves.
Best suited to display contexts where a crisp, techno-geometric voice is desirable: interface labels, product/tech branding, posters, and short headlines. It can also work for wayfinding-style signage and captions at larger sizes, where the angular details and squared counters remain clear.
The face projects a futuristic, engineered tone—more instrument-panel and digital interface than editorial text. Its sharp geometry and squared curves feel technical and systematic, evoking sci‑fi titling, CAD/diagram labeling, and retro-digital aesthetics.
The design appears intended to translate a digital, constructed aesthetic into a readable sans by substituting curves with straight segments and chamfers. It prioritizes a modular, engineered look and strong visual identity over conventional humanist softness.
Distinctive angular constructions appear throughout, including a boxy Q with a short diagonal tail and a compact, segmented S. Numerals follow the same rectilinear logic, with squared counters and clipped corners that keep the set visually uniform. The overall color stays even thanks to consistent stroke weight and disciplined spacing in the sample text.