Sans Superellipse Myfa 12 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Cherrybon' by Drizy Font, 'Odradeck' by Harvester Type, 'Heroxy' by Kulokale, 'Assertion' by MiniFonts.com, 'Shtozer' by Pepper Type, 'Motte' by TypeClassHeroes, and 'Policia Secreta' by Woodcutter (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, industrial, poster, retro, condensed, assertive, impact, space-saving, modular geometry, display emphasis, rounded corners, soft terminals, blocky, compact, stencil-like.
A compact, heavy sans with tall proportions and a rounded-rectangle construction throughout. Strokes are dense and mostly monoline, with softened corners and squared counters that give letters a superelliptical, modular feel. Curves resolve into flat-ish arcs rather than true circles, and many joins are tight, producing a punchy, space-efficient rhythm. Several lowercase forms use simplified, geometric structures with minimal differentiation, and the numerals follow the same squared, rounded-corner logic for a cohesive texture.
Best suited to headlines, posters, and short bursts of copy where density and impact matter. It can work well in branding and packaging that benefit from a sturdy, industrial flavor, and in signage where bold, condensed forms help fit long words into narrow spaces.
The overall tone is bold and utilitarian, mixing a retro display sensibility with a contemporary, engineered cleanliness. Its rounded corners keep the color from feeling harsh, while the condensed stance and chunky weight read as confident and attention-driven.
The font appears designed to deliver maximum impact in a compact width using a consistent rounded-rectangle geometry, prioritizing strong silhouettes and a cohesive, modular system across uppercase, lowercase, and figures.
The design’s strong vertical emphasis and compact counters create a dark, uniform typographic color at text sizes, while large sizes reveal the distinctive rounded-rect geometry. Spacing appears tuned for tight set lines and impactful blocks of copy rather than airy, delicate composition.