Sans Normal Tybov 6 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Hareva' by Mofr24 (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, logos, retro, confident, playful, poster-ready, punchy, display impact, retro flavor, friendly boldness, brand presence, soft corners, ink-trap-like, bulb terminals, compact joins, high impact.
A heavy, blocky display face with rounded geometry and subtly sculpted joins. Strokes stay consistently thick while many terminals taper into small wedge-like cuts, creating an ink-trap-like bite that adds texture without becoming ornate. Curves are broad and smooth (notably in C, G, O, and S), counters are relatively tight, and the overall rhythm is compact and dense. Lowercase forms are sturdy and simplified, with short ascenders/descenders and a sturdy, single-storey feel where applicable, helping the set read as a cohesive, punchy system alongside similarly weighty numerals.
Best used for headlines, posters, packaging, and branding systems that need a bold, characterful voice. It also works well for short statements, labels, and logo-style wordmarks where its carved terminals and rounded mass can be appreciated at larger sizes.
The font conveys a bold, retro-leaning friendliness—confident and attention-grabbing, but softened by rounded curves and sculpted notches. It feels suited to lively, approachable messaging where impact matters more than quiet neutrality.
The likely intention is a high-impact display font that balances strong, chunky silhouettes with subtle shaping to improve differentiation and add a crafted, vintage-adjacent personality. Its consistent weight and carved terminals aim to deliver clarity and charm in attention-first typography.
The design’s signature is the repeated use of small cut-ins and tapered terminals that keep heavy strokes from looking overly blunt, especially in letters with joints and bowls. This carving also creates distinct word shapes at display sizes, while the dense counters suggest avoiding very small text where interior spaces could close up.