Sans Other Robe 10 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'SbB Powertrain' by Sketchbook B (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, techno, arcade, industrial, futuristic, utilitarian, sci-fi tone, modular build, high impact, interface feel, square, angular, geometric, modular, octagonal.
A blocky, geometric sans built from straight strokes and squared counters, with frequent 45° chamfers at corners. Curves are largely avoided, producing octagonal/rectilinear bowls and a distinctly modular construction. Stroke weight is consistent and heavy, with tight internal apertures and compact joins that emphasize a stamped, pixel-adjacent rhythm. Proportions are fairly tall and narrow overall, with simplified terminals and strong right angles that keep letterforms crisp and mechanical in text.
Best suited to short, high-impact settings such as headlines, posters, logos/wordmarks, game or kiosk UI, and packaging where a technical, industrial voice is desired. It also works well for signage-like labels and titling, especially at medium to large sizes where the chamfered geometry can read clearly.
The font reads as retro-tech and game-adjacent, projecting a rugged, engineered attitude. Its sharp geometry and clipped corners evoke industrial labeling and sci‑fi interfaces, giving it a purposeful, slightly aggressive tone rather than a friendly one.
The design appears intended to deliver a consistent, grid-friendly, angular aesthetic that suggests machinery and digital systems while remaining legible in bold display use. Its reduced curvature and repeated chamfers point to an intentional modular construction aimed at a futuristic, utilitarian look.
Distinctive chamfered details show up repeatedly (notably in diagonals and lower joins), helping unify the set and prevent the forms from feeling purely rectangular. The dense counters and squared punctuation create high visual impact, but the same density can make long passages feel busy compared with more open grotesks.