Sans Normal Bylar 17 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Frutiger', 'Neue Frutiger Arabic', 'Neue Frutiger Cyrillic', 'Neue Frutiger Georgian', 'Neue Frutiger Hebrew', 'Neue Frutiger Tamil', and 'Neue Frutiger Thai' by Linotype and 'Morandi' by Monotype (names referenced only for comparison).
Keywords: ui text, body text, branding, signage, presentations, clean, modern, neutral, friendly, legibility, versatility, modernity, clarity, geometric, monoline, open apertures, rounded terminals, even rhythm.
A clean, geometric sans with largely monoline strokes and smooth circular/elliptical curves. Letterforms show open apertures and straightforward construction, with round bowls and softly finished terminals that avoid sharp calligraphic tapering. Proportions feel balanced and contemporary, with consistent spacing and an even texture in words and lines; counters are generous enough to keep forms clear at text sizes. Numerals follow the same simple geometry, with rounded shapes and minimal stylistic quirks.
Well-suited to interface typography, product copy, and general-purpose editorial settings where a clean, contemporary sans is needed. Its even color and open forms also make it appropriate for signage, presentations, and brand systems that require a straightforward, modern voice.
The overall tone is neutral and modern, leaning friendly rather than technical due to the rounded curves and uncluttered shapes. It reads as calm and practical, designed to stay out of the way while still feeling approachable.
The design appears intended as a versatile, everyday sans focused on legibility and a restrained, contemporary aesthetic. Its geometric backbone and minimal detailing suggest a goal of broad usability across both display and text contexts without drawing attention away from content.
The sample text shows stable baseline behavior and a smooth rhythm across mixed-case settings, with clear differentiation between similar shapes (for example, round letters versus straight-stem forms). The design avoids decorative gestures, emphasizing clarity and consistency across the set.