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Sans Superellipse Pebir 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Formata' by Berthold, 'FF Clan' by FontFont, 'Allotrope' by Kostic, 'Belle Sans' by Park Street Studio, 'Akwe Pro' by ROHH, and 'Sans Beam' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, sports branding, assertive, compact, industrial, modern, utilitarian, space saving, high impact, clarity, modern utility, condensed, blocky, rounded corners, monoline, sturdy.


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A compact, heavy sans with tightly packed proportions and a strong vertical stance. Strokes are thick and largely monoline, with rounded-rectangle construction in counters and curves that keeps bowls and shoulders smooth while preserving crisp, squared terminals. Apertures are modest and joins are firm, giving letters a dense, poster-like rhythm; round characters (O, C, G, 0) read as superelliptical rather than fully circular. Lowercase forms are straightforward and functional, with short ascenders/descenders relative to the overall heft and clean, unembellished details.

Best suited to headlines, posters, and short bursts of copy where maximum impact and compact fit are needed. It can work well for signage, packaging, and bold brand moments—especially in contexts that benefit from a tight, condensed footprint and a strong, utilitarian voice.

The overall tone is forceful and practical—more signage and headline than friendly body text. Its compact width and chunky shapes project urgency, impact, and an industrial straightforwardness that feels contemporary and no-nonsense.

The design appears intended to deliver high-impact typography in limited horizontal space, using rounded-rectangle geometry to keep forms robust and consistent at display sizes. Its emphasis on dense color, simple construction, and sturdy curves suggests a focus on clarity and punch over delicacy or long-form comfort.

The dense color and tight internal spaces favor large sizes, where the rounded-rect geometry and sturdy curves become most apparent. Numerals match the letterforms in weight and compactness, reinforcing a cohesive, display-oriented texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸