Sans Superellipse Ermi 7 is a bold, narrow, low contrast, italic, normal x-height font visually similar to 'AG Bambook' by Alexandr Galuzin, 'Broadside' and 'Korolev' by Device, and 'Monton' by Larin Type Co (names referenced only for comparison).
Keywords: sports branding, posters, headlines, packaging, ui labels, sporty, urgent, technical, modern, dynamic, impact, speed, space-saving, modern utility, display strength, oblique, condensed, rounded, compact, angular curves.
A compact oblique sans with a pronounced rightward slant and tightly set, tall proportions. Strokes are heavy and uniform, with rounded-rectangle (superelliptical) counters and softened corners that keep the texture smooth even at bold sizes. Curves on letters like C, G, and S feel squared-off rather than purely circular, while diagonals (V, W, X, Y) are sharp and energetic. The lowercase shows single-storey forms and brisk terminals, maintaining a consistent, forward-leaning rhythm across text and figures.
Well-suited to sports and performance branding, punchy headlines, and promotional typography where condensed width and strong slant amplify impact. It can also work for UI labels, navigation, and packaging callouts when a compact, energetic voice is needed and space is limited.
The overall tone is fast, assertive, and contemporary, with a strong sense of motion from the sustained slant and condensed stance. Its rounded-squared geometry reads as modern and engineered, balancing friendliness with a performance-driven edge.
The design appears intended to deliver a high-impact, space-efficient italic sans that stays clean at large sizes while projecting speed and modernity. Its superelliptical construction and uniform stroke weight suggest an emphasis on contemporary, system-like clarity with an expressive, forward-driving posture.
Figures are sturdy and compact with clear, simple silhouettes; the zero is oval and the 1 is a clean, minimal stroke, supporting quick recognition in display contexts. The italic construction appears integral to the design rather than a merely slanted roman, giving the face a cohesive, purpose-built flow in longer lines of text.