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Free for Commercial Use

Sans Superellipse Pyniz 17 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'Averta PE' and 'Averta Standard PE' by Intelligent Design, 'Avenir Next' and 'Avenir Next Paneuropean' by Linotype, 'Morandi' by Monotype, and 'Mynor' by The Northern Block (names referenced only for comparison).

Keywords: ui labels, signage, packaging, posters, editorial, modern, utilitarian, technical, clean, compact, space economy, modern clarity, systematic design, neutral branding, condensed, monoline, rounded, crisp, neutral.


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This typeface is a compact sans with a condensed footprint and monoline stroke behavior. Curves are built from rounded-rectangle geometry, giving bowls and counters a superelliptical, slightly squarish roundness. Terminals are predominantly straight and blunt, with minimal modulation and a consistent, engineered rhythm. Uppercase forms are tall and narrow with simple construction; lowercase follows the same tight proportions with straightforward, open counters and restrained detailing. Numerals match the condensed stance and keep the same squared-round curvature, producing an even, aligned texture in text.

Well-suited to interfaces, labels, and information design where compact width helps fit more text without feeling cramped. It also works for contemporary branding, packaging, and headlines that want a clean, engineered look with slightly softened geometry. In editorial contexts, it can serve for subheads, pull quotes, and short text blocks where a narrow, orderly texture is desirable.

The overall tone is modern and functional, with an efficient, space-saving feel. Its rounded-rectangular curves add a mild softness to an otherwise technical, no-nonsense voice, reading as contemporary and pragmatic rather than expressive or decorative.

The design appears intended as a space-efficient, contemporary sans that balances strict, condensed proportions with rounded-rectangle curves for a controlled but approachable presence. It prioritizes consistency, alignment, and a clean texture that holds together across uppercase, lowercase, and numerals.

The condensed proportions create a strong vertical cadence, and the squared-round curves keep repeated shapes (like C/G/O/Q and e/c) visually consistent. The design maintains clarity through simple joins and clear interior spaces, favoring uniformity and rhythm over calligraphic character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸