Sans Other Orba 5 is a very bold, very wide, monoline, upright, normal x-height font visually similar to 'Imagine Font' by Jens Isensee and 'KONSTRUCT' by Komet & Flicker (names referenced only for comparison).
Keywords: posters, logos, headlines, game ui, sci-fi titles, techno, industrial, arcade, sci-fi, blocky, impact, futurism, systematic, retro digital, signage, square, angular, geometric, stencil-like, modular.
A heavy, modular sans built from squared-off strokes and hard 45° cuts, producing a distinctly pixel-adjacent silhouette without true bitmap granularity. Corners are predominantly chamfered, counters tend toward rectangular openings, and curves are largely avoided in favor of straight segments and notched joins. Spacing and widths vary by glyph, but the overall rhythm stays tight and compact, with broad shoulders and flat terminals that read as machined and architectural. Several characters feature internal slots and cut-ins that create a quasi-stencil feel and emphasize the constructed, grid-based logic.
This font performs best in short, high-impact settings such as posters, title cards, packaging callouts, and logo wordmarks. It also suits game UI, arcade-inspired graphics, and tech or sci‑fi themed branding where a geometric, constructed aesthetic is desirable. In longer passages, the dense shapes and angular counters are most effective at larger sizes with generous line spacing.
The tone is assertive and mechanical, with strong associations to retro computing, arcade interfaces, and futuristic signage. Its sharp geometry and chunky massing convey toughness and energy, leaning more utilitarian and tech-forward than friendly or editorial.
The design appears intended to deliver a bold, constructed sans with a grid-driven, chamfered geometry that reads as both retro-digital and industrial. Its angular terminals and carved interior details suggest a focus on distinctive texture and immediate recognition in display typography.
The distinctive notches, chamfers, and occasional split stems create strong texture in lines of text and make the design feel intentional and system-like. The same angular logic carries consistently through capitals, lowercase, and figures, helping it maintain a cohesive, display-first voice.