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Serif Normal Mata 3 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'FS Sally' and 'FS Sally Paneuropean' by Fontsmith, 'Acta Pro' by Monotype, and 'Captione' by Zafara Studios (names referenced only for comparison).

Keywords: headlines, editorial, posters, branding, book covers, authoritative, traditional, formal, stately, classic authority, display impact, editorial emphasis, heritage tone, bracketed, beaked, ball terminals, cupped serifs, oldstyle figures.


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A very heavy, high-contrast serif with strongly bracketed, cupped serifs and pronounced stroke modulation. The forms feel compact and sturdy, with a relatively low apparent aperture in many letters and generous, dark counters that keep the texture readable despite the weight. Serifs often finish in subtly beaked or flared terminals, and several joins show teardrop/ball-like detailing that adds a slightly calligraphic flavor. Uppercase proportions are broad and commanding, while the lowercase maintains a conventional, text-oriented structure with a moderate x-height and firm vertical stress.

This style suits large sizes where its strong contrast and sculpted serifs can be appreciated—headlines, deck text, magazine titles, posters, and bold brand wordmarks. It can also work for short-form editorial emphasis (pull quotes, section heads, chapter openers) where a dense, classic texture is desirable.

The overall tone is confident and traditional, projecting an editorial, establishment voice. Its weight and contrast give it a sense of ceremony and emphasis, while the classic serif detailing keeps it grounded in familiar book and newspaper typography.

The design appears intended to deliver a classic text-serif voice at display weights, combining traditional bracketed serifs and oldstyle detailing with enough contrast and mass to create impact. The letterforms prioritize a stable, authoritative presence and a distinctly editorial rhythm.

Numerals appear oldstyle in feel, with varied heights and some curving, serifed terminals that integrate well with the lowercase. The italic is not shown; all samples present an upright roman with strong, dark color and a steady, authoritative rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸