Sans Superellipse Odme 1 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Crubster' by Joey Maul and 'Quub' by OneSevenPointFive (names referenced only for comparison).
Keywords: headlines, posters, logos, gaming, packaging, techy, futuristic, arcade, industrial, playful, impact, brandable, retro-future, legibility, modular feel, rounded, square, chunky, compact, geometric.
A heavy, rounded-rectangle sans with superelliptic geometry and consistently softened corners. Strokes are thick and uniform, with squarish bowls and counters that read as rounded rectangles rather than circles. Terminals are blunt and clean, and many forms emphasize flat horizontal cuts and sturdy vertical stems, giving the alphabet a blocky, engineered rhythm. The lowercase mirrors the uppercase’s geometry, with single-storey forms and compact apertures that keep shapes tight and solid at display sizes.
Best suited to display settings such as headlines, posters, game titles, tech branding, and packaging where strong silhouettes and a retro-digital feel are desirable. It also works well for short UI labels or badges when ample size and spacing are available, but its compact counters suggest avoiding very small sizes or crowded paragraphs.
The overall tone feels digital and futuristic, with a distinct arcade and sci‑fi flavor. Its chunky, rounded-square construction comes across as confident and mechanical while still friendly due to the softened corners. The result is bold and playful rather than formal.
The design appears intended to blend a friendly rounded-square construction with a robust, high-impact presence for modern tech and entertainment contexts. Its consistent superelliptic forms prioritize recognizability and a distinctive, branded texture over traditional text comfort.
Counters tend to be small and rectangular, which strengthens the silhouette but can reduce interior openness in dense text. Numerals follow the same squared-off, softened style, and the mix of rounded corners with flat cuts gives the face a distinctly modular, system-like character.