Sans Superellipse Odma 11 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'Design System' by Dharma Type (names referenced only for comparison).
Keywords: headlines, logotypes, posters, ui labels, signage, tech, retro, industrial, futuristic, game ui, impact, modernize, tech tone, ui clarity, geometric consistency, rounded corners, squared curves, modular, compact counters, blocky.
A heavy, rounded-rect sans built from superelliptic curves and softened corners. Strokes are monolinear with broad terminals and generous radiusing, producing squared-off bowls and counters (notably in O, 0, and D) and a strongly geometric rhythm. Apertures tend to be tight and counters compact, with distinctive rectilinear curves in letters like S and C. The overall texture is dense and steady, with simple, sturdy joins and a consistent, engineered feel across capitals, lowercase, and numerals.
Best suited to short to medium-length display settings where strong silhouettes matter: headlines, branding marks, packaging titles, interface labels, wayfinding, and tech-themed posters. It can also work for compact callouts and badges where a dense, robust texture is desirable.
The design reads as modern and machine-made, with a clear sci‑fi and retro-digital flavor. Its rounded-square construction evokes hardware labeling, arcade and console interfaces, and utilitarian industrial signage—confident, punchy, and slightly nostalgic.
The likely intent is a contemporary geometric sans with a superelliptic, rounded-rectangle skeleton that prioritizes impact, consistency, and a distinctive techno-industrial voice. The construction suggests a desire for a clean, modular look that remains friendly through softened corners while staying bold and assertive.
The font’s geometry favors horizontal and vertical structure, giving curves a squarish snap that stays legible at display sizes. Numerals share the same rounded-rectangle logic, keeping text and figures visually unified in UI-like layouts and headings.