Sans Superellipse Etkep 11 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype and 'Hype vol 3' by Positype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, condensed, assertive, sporty, urgent, modern, space saving, high impact, speed cue, modern utility, display focus, oblique, compact, blocky, rounded corners, vertical stress.
A compact, oblique sans with heavy, tightly spaced letterforms and a distinctly condensed footprint. Curves are built from rounded-rectangle geometry, giving counters and bowls a squarish softness rather than circular forms. Strokes are largely uniform, terminals are clean and blunt, and the overall texture is dark and continuous, with minimal interior white space. The lowercase maintains a tall profile with short ascenders/descenders relative to the body, and the numerals follow the same narrow, sturdy construction for consistent color in lines of text.
Best suited for headlines and short, high-impact lines where condensed width and strong weight help fit more characters into limited space. It works well for posters, sports or performance branding, packaging callouts, and attention-grabbing signage where a compact, forward-leaning sans is desirable.
The tone is forceful and energetic, with a forward-leaning rhythm that reads as fast and performance-oriented. Its dense, compact shapes create a no-nonsense, high-impact voice that feels contemporary and pragmatic.
Likely intended to deliver maximum impact in a narrow set width while retaining friendly, rounded-rectangular curves instead of sharp industrial corners. The consistent stroke weight and oblique stance suggest a design optimized for bold display communication and space-efficient titling.
The design leans on vertical emphasis and tight counters, producing strong word shapes at display sizes but a heavier, more compressed texture in longer passages. The rounded-rectangular construction is especially noticeable in curved letters, which keeps the style cohesive across uppercase, lowercase, and figures.