Sans Other Obti 4 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Racon' by Ahmet Altun and 'Reload' by Reserves (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, game ui, industrial, comic, retro, assertive, quirky, impact, distinctiveness, texture, display, angular, faceted, blocky, chiseled, tight spacing.
A heavy, block-built display sans with faceted, angular contours and predominantly squared forms. Strokes are consistently thick, with corners cut into sharp bevels and occasional wedge-like notches that give letters a chiseled, constructed feel. Counters tend to be small and geometric (often squared or polygonal), and the overall fit reads compact, producing dense word shapes. Uppercase and lowercase share a sturdy, modular construction, with simplified curves and straightened bowls that emphasize a hard-edged rhythm.
Best suited to short, high-impact settings such as headlines, posters, branding marks, packaging titles, and game or entertainment UI where the faceted texture can be a feature. It can work for brief callouts or display lines, but its dense shapes and small counters suggest avoiding long passages at smaller sizes.
The overall tone is bold and punchy, mixing an industrial, cut-metal attitude with a playful, cartoon-like edge. Its quirky bevels and irregular facets create a lively, slightly mischievous voice that feels energetic rather than formal.
The letterforms appear designed to maximize visual impact through thick strokes, tight interiors, and distinctive beveled cuts, creating a recognizable silhouette with a fabricated, carved quality. The aim seems to be an attention-grabbing display face that reads as tough and graphic while staying playful and stylized.
The design leans on octagonal and rectangular silhouettes (notably in rounded letters and numerals), and the small counters and tight interior space increase the sense of weight on the page. In text, the sharp cut-ins and stepped terminals add texture and motion, but also make the font feel intentionally idiosyncratic and headline-forward.