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Free for Commercial Use

Sans Normal Edmak 2 is a regular weight, narrow, low contrast, italic, normal x-height font visually similar to 'FS Albert Paneuropean' by Fontsmith, 'Bartholeme Sans' by Galapagos, 'Whitney' by Hoefler & Co., 'TheSans' by LucasFonts, 'Morandi' by Monotype, 'Interval Next' by Mostardesign, and 'Entendre' by Wordshape (names referenced only for comparison).

Keywords: ui labels, dashboards, captions, sidebars, data display, modern, clean, dynamic, efficient, technical, space saving, clarity, modern utility, emphasis, oblique, compact, crisp, streamlined, neutral.


Free for commercial use
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This typeface is a compact, oblique sans with smooth, round-based construction and minimal stroke modulation. Curves are clean and open, with fairly tight proportions and a consistent, even rhythm across letters and numerals. Terminals appear largely straightforward and unadorned, keeping the forms crisp; the overall texture in text is light-to-medium and uniform, with a noticeable rightward slant that reinforces forward motion. Numerals and capitals follow the same streamlined logic, producing a cohesive, contemporary set.

It works well where space is limited and an active, forward-leaning emphasis is desired, such as UI labels, navigation, dashboards, and compact editorial elements like captions or side notes. The uniform stroke behavior and open shapes also suit data-oriented layouts, short instructions, and informational graphics.

The overall tone is modern and pragmatic, with a subtle sense of speed from the slant and condensed footprint. It reads as functional and businesslike rather than decorative, balancing friendliness from rounded shapes with a slightly technical, efficient feel.

The design appears intended as a straightforward, space-efficient italic sans for contemporary communication, prioritizing clarity and consistency while adding emphasis through slant rather than ornament. Its rounded skeleton and restrained detailing suggest a focus on versatile, everyday typography for screens and general-purpose layout.

In longer passages the italic angle is prominent, creating a strong directional flow and a compact typographic color. The narrower letterforms help conserve horizontal space while maintaining clear counters, which supports scanning and quick recognition.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸