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Sans Normal Edmak 2 is a regular weight, narrow, low contrast, italic, normal x-height font visually similar to 'FS Albert Paneuropean' by Fontsmith, 'Bartholeme Sans' by Galapagos, 'Whitney' by Hoefler & Co., 'TheSans' by LucasFonts, 'Morandi' by Monotype, 'Interval Next' by Mostardesign, and 'Entendre' by Wordshape (names referenced only for comparison).

Keywords: ui labels, dashboards, captions, sidebars, data display, modern, clean, dynamic, efficient, technical, space saving, clarity, modern utility, emphasis, oblique, compact, crisp, streamlined, neutral.


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This typeface is a compact, oblique sans with smooth, round-based construction and minimal stroke modulation. Curves are clean and open, with fairly tight proportions and a consistent, even rhythm across letters and numerals. Terminals appear largely straightforward and unadorned, keeping the forms crisp; the overall texture in text is light-to-medium and uniform, with a noticeable rightward slant that reinforces forward motion. Numerals and capitals follow the same streamlined logic, producing a cohesive, contemporary set.

It works well where space is limited and an active, forward-leaning emphasis is desired, such as UI labels, navigation, dashboards, and compact editorial elements like captions or side notes. The uniform stroke behavior and open shapes also suit data-oriented layouts, short instructions, and informational graphics.

The overall tone is modern and pragmatic, with a subtle sense of speed from the slant and condensed footprint. It reads as functional and businesslike rather than decorative, balancing friendliness from rounded shapes with a slightly technical, efficient feel.

The design appears intended as a straightforward, space-efficient italic sans for contemporary communication, prioritizing clarity and consistency while adding emphasis through slant rather than ornament. Its rounded skeleton and restrained detailing suggest a focus on versatile, everyday typography for screens and general-purpose layout.

In longer passages the italic angle is prominent, creating a strong directional flow and a compact typographic color. The narrower letterforms help conserve horizontal space while maintaining clear counters, which supports scanning and quick recognition.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸