Sans Superellipse Idbiy 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Prenton RP' by BluHead Studio, 'LCT Picon' by LCT, 'Morandi' by Monotype, and 'Neue Reman Sans' by Propertype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, playful, retro, friendly, punchy, impact, approachability, modern clarity, logo use, display emphasis, rounded corners, soft geometry, compact bowls, open counters, stout stems.
A heavy, geometric sans with softened, superelliptical curves and rounded-rectangle construction. Strokes are thick and largely monolinear, with compact bowls and broadly open counters that keep the letterforms readable despite the weight. Terminals are mostly flat and blunt, while joins and curves are generously rounded, giving the shapes a cushiony, block-like presence. Lowercase forms are sturdy and simplified (single-storey a and g), with short ascenders/descenders relative to the overall mass and a large, circular i dot.
Best suited to headlines and short text where its weight and rounded geometry can carry impact—posters, branding marks, packaging, and retail or event signage. It also works well for attention-grabbing UI banners or labels where clarity and a friendly, modern tone are desired.
The overall tone is bold and upbeat, balancing industrial solidity with friendly softness. Its rounded geometry and chunky silhouettes evoke a retro display feel while still reading as clean and contemporary. The font projects confidence and approachability, making statements without feeling aggressive.
The design appears intended to deliver maximum visual impact with a soft-edged, geometric voice: a display-oriented sans that stays legible through open counters and simplified forms. Its consistent, rounded-rectangle logic suggests a focus on strong rhythm and a cohesive, logo-friendly silhouette.
Capitals are particularly squat and poster-ready, and round letters (O, Q, C) read as broad superellipses rather than perfect circles. Numerals match the same chunky, rounded construction for consistent color in mixed text, with a notably heavy, graphic presence at larger sizes.