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Stencil Geto 8 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Fold Grotesque' by Colophon Foundry, 'DuGrotesk' by Dutype Foundry, 'Hando Soft' by Eko Bimantara, 'Afical' by Formatype Foundry, and 'Neufile Grotesk' by Halbfett (names referenced only for comparison).

Keywords: posters, headlines, branding, signage, packaging, industrial, technical, modern, graphic, utilitarian, stencil system, industrial marking, display impact, geometric clarity, geometric, stenciled, monoline, segmented, modular.


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A geometric, monoline sans built from clean circular and straight segments, with consistent stencil breaks that create crisp bridges through bowls, counters, and terminals. Curves tend toward near-perfect arcs (notably in C, O, and G), while verticals and horizontals stay firm and even, giving the design a modular, engineered feel. The stencil logic is applied systematically across caps, lowercase, and figures, producing distinctive cut-throughs in characters like e, a, g, and 8, and a simplified, constructed rhythm overall.

Best suited to display typography where the stencil construction can be clearly appreciated—posters, headlines, brand marks, packaging, and environmental or directional signage. It also works well for tech-leaning identities, product labeling, and industrial-themed graphics that benefit from a bold, segmented silhouette.

The tone is industrial and technical, evoking machinery markings, wayfinding, and contemporary fabrication aesthetics. Its segmented forms read as deliberate and functional rather than decorative, projecting a modern, utilitarian confidence with a slightly futuristic edge.

The design appears intended to merge a geometric sans foundation with a consistent stencil system, delivering a distinctive, easily reproducible look reminiscent of cut lettering and industrial marking. Its goal is clarity and impact with a recognizable broken-stroke motif across the full alphanumeric set.

The stencil cuts are prominent enough to become a key identifying feature at display sizes, and they introduce a repeating horizontal interruption that adds visual cadence across words. Numerals and round letters particularly emphasize the font’s circular construction, while diagonals (V, W, X, Y) reinforce the sharp, engineered character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸