Sans Faceted Nyfo 2 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Ramsey' by Associated Typographics, 'Eurostile Next' and 'Eurostile Next Paneuropean' by Linotype, 'Kairos Sans' by Monotype, 'PT Filter' by Paavola Type Studio, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, packaging, sports branding, signage, industrial, athletic, commanding, retro, utilitarian, compact impact, rugged clarity, machined look, jersey style, octagonal, condensed, blocky, faceted, angular.
A condensed, heavy sans built from crisp planar cuts that turn curves into beveled, octagonal forms. Strokes are uniform and compact, with squared terminals and consistent inside counters that read as chamfered rather than rounded. The uppercase set is tall and tightly proportioned, while the lowercase keeps simple, sturdy silhouettes with mostly straight-sided bowls and minimal modulation. Numerals match the same clipped-corner geometry, giving the set a cohesive, stamped-signage rhythm.
Best suited for headlines, posters, and branding where compact width and high impact are valuable. It also fits packaging, labels, and directional or informational signage that benefits from a rugged, machined aesthetic. For body text, it works more as a stylistic accent than a primary reading face.
The overall tone is tough and no-nonsense, with a sporty, industrial edge reminiscent of team markings, equipment labels, and warning signage. Its faceted construction feels mechanical and assertive, projecting clarity and impact over softness or elegance.
The design appears intended to translate the visual language of stenciled or jersey-style block lettering into a clean, sans system with consistent beveled corners. Its priorities seem to be compactness, uniform color, and a distinctive faceted profile that remains recognizable across letters and figures.
The angular reductions create strong corner highlights that stay legible at display sizes and maintain a consistent texture across mixed-case settings. The condensed width and dense black shapes can make long passages feel tight, but they amplify punch in short phrases and headlines.