Stencil Kipo 2 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'ATC Arquette' by Avondale Type Co., 'BR Omny' and 'BR Shape' by Brink, 'Heavitas Neue' by Graphite, and 'Goga' by Narrow Type (names referenced only for comparison).
Keywords: posters, headlines, signage, packaging, logotypes, industrial, military, retro, urban, mechanistic, stenciling, labeling, impact, branding, geometric, blocky, heavy, cutout, high-impact.
A chunky geometric sans with carved stencil interruptions that create consistent vertical “bridges” through bowls and counters. Forms are built from broad, straight strokes with crisp corners and occasional angled cuts (notably in diagonals like A, K, V, W, X, and Z), giving the alphabet a machined, cut-metal feel. Curves are largely circular/oval and simplified, with counters kept open by the central split; spacing and sidebearings feel display-oriented, prioritizing bold silhouettes over tight text economy.
Best suited for large-scale display work where the stencil bridges read clearly—posters, headlines, wayfinding-style signage, packaging, and bold brand marks. It also fits labeling systems and themed graphics that benefit from a stamped or cut-metal aesthetic.
The tone is utilitarian and assertive, evoking stenciled markings, equipment labels, and industrial signage. Its cutout logic and heavy black mass add a rugged, no-nonsense character with a slightly retro, poster-like punch.
The design appears intended to deliver maximum impact with a clear stencil construction, balancing simple geometric building blocks with distinctive cutouts for a strong, reproducible marking style.
The stencil breaks are a defining motif across both uppercase and lowercase, often aligned near the vertical center, producing a strong horizontal rhythm when set in lines. Numerals follow the same cutout approach, making them visually cohesive for codes and identifiers, though the interior splits can become a prominent texture at smaller sizes.