Sans Superellipse Vumu 1 is a regular weight, very wide, low contrast, upright, normal x-height font.
Keywords: ui labels, tech branding, headlines, signage, packaging, futuristic, techy, minimal, clean, geometric, systematic geometry, digital aesthetic, modern clarity, brand distinctiveness, rounded corners, monoline, squared-round, streamlined, modular.
A monoline sans with a squared-round construction built from rounded rectangles and softened corners. Curves resolve into flat-ish superellipse arcs, producing boxy counters in letters like O, D, and P and a distinctly rectangular rhythm in both uppercase and lowercase. Strokes stay consistent with little to no modulation, terminals are mostly clean and horizontal/vertical, and joins are crisp, giving the design a controlled, engineered feel. The lowercase is straightforward and legible, with a single-storey a and a single-storey g that uses an open, rounded-rectangle bowl.
Best suited to interface labels, product and tech branding, and short headlines where its geometric, rounded-rectangular forms read as intentional and modern. It also works well for signage and packaging that benefit from a clean, engineered aesthetic and consistent numeral styling.
The overall tone is contemporary and technical, evoking digital interfaces, industrial labeling, and sci‑fi display typography. Its rounded corners soften the geometry, keeping the voice friendly while still feeling precise and machine-made.
The design appears intended to translate a rounded-rectangle, superelliptic motif into a complete Latin set with consistent stroke weight and a tight, modular construction. The aim is a contemporary sans that feels digital and functional while remaining approachable through softened corners.
Several forms lean into a modular, sign-like geometry: the squared counters in o/c/e, the compact, rectangular bowls in b/d/p/q, and a distinctive uppercase Q with a short, squared tail. Numerals follow the same rounded-rectangle logic, emphasizing uniformity and a cohesive system across letters and figures.