Sans Superellipse Wuru 5 is a very bold, very wide, medium contrast, upright, normal x-height font visually similar to 'Avionic' by Grype and 'PODIUM Sharp' by Machalski (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, gaming ui, techno, industrial, arcade, futuristic, sporty, high impact, tech styling, display clarity, modular geometry, corner control, blocky, squared, rounded corners, compact counters, ink-trap like.
A heavy, geometric sans built from squared, superellipse-like forms with rounded corners and strongly rectilinear construction. Strokes are consistently thick with compact, squared counters and a pronounced emphasis on flat terminals and horizontal/vertical alignment. Several joins show notch-like cut-ins that read as subtle ink-trap style detailing, helping corners stay crisp at display sizes. The overall rhythm is tight and sturdy, with broad letter bodies and low interior whitespace that creates a dense, poster-ready texture.
Best suited for headlines, branding marks, packaging titles, and large-format graphics where a strong, geometric voice is needed. It also fits gaming and tech-themed interfaces, team or event identity systems, and bold signage where dense, squared forms improve presence and immediacy.
The face conveys a confident, high-impact tone with a distinctly techno/arcade flavor. Its blocky silhouettes and squared curves feel engineered and contemporary, suggesting speed, machinery, and digital interfaces rather than softness or tradition.
The design appears intended to deliver maximum impact with a modular, squared-curve construction that stays clean and legible in display contexts. The notch-like corner handling suggests an effort to keep joins from clogging and to add a distinctive, engineered signature without resorting to ornament.
Distinctive angular diagonals (notably in A, K, V, W, X, Y) contrast with rounded-rectangle bowls (B, D, O, P, R), producing a punchy, modular look. Numerals follow the same squared, cut-corner logic, with the 0 rendered as a rounded rectangle and 1 kept minimal and monoline in feel. The bold weight and tight counters mean small sizes may darken quickly, while large sizes preserve the font’s notched detailing and geometric character.