Sans Other Utti 2 is a light, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, signage, ui display, futuristic, technical, playful, minimal, distinctive display, modular construction, tech aesthetic, rounded terminals, open counters, geometric, modular, stencil-like.
A monoline sans with a modular, partially open construction and consistently rounded stroke endings. Many glyphs incorporate deliberate gaps where strokes would normally join, producing a stencil-like, segmented rhythm while keeping overall forms legible. Curves are smooth and fairly geometric, with generous apertures and open counters (notably in C, G, S, and e), and the bowls tend toward circularity rather than humanist modulation. Proportions read slightly expanded with airy spacing and a calm, even texture in text, while diagonals in V/W/X and the angled elements in A/K add crisp contrast to the otherwise rounded system.
Best suited to headlines, logos, posters, and short UI or product labels where the segmented details can be appreciated. It can also work for signage and wayfinding in controlled settings, especially where a modern, engineered feel is desired, while longer body text may be less optimal due to the frequent open joins.
The segmented joins and rounded terminals give the face a contemporary, tech-leaning tone that feels clean but intentionally unconventional. It suggests digital interfaces, sci‑fi signage, or product styling—precise and engineered, yet friendly due to the soft endings and open shapes.
The font appears designed to reinterpret a clean geometric sans through a consistent system of opened joins and rounded terminals, creating a recognizable, contemporary voice. The goal seems to balance minimal, modern forms with a distinctive “constructed” motif that stands out in display use without becoming overly ornate.
The design’s identity comes from its systematic breakpoints: joins and crossbars are often separated by small gaps, and some strokes stop short to imply continuity. This creates a distinctive sparkle at display sizes, but the repeated openings become more noticeable as sizes shrink, where the segmented construction may read as decorative texture rather than purely structural.