Sans Normal Uhnin 6 is a bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'Belle Sans' by Park Street Studio, 'Sans Beam' by Stawix, 'Newbery Sans Pro' by Sudtipos, 'Indecise' by Tipo Pèpel, and 'Marble' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, assertive, modern, practical, industrial, direct, space-saving, high-impact, clarity, robustness, headline-first, compact, dense, sturdy, clean, utilitarian.
This is a condensed, heavy sans with smooth, rounded curves and relatively tight proportions. Strokes are sturdy and consistent, with subtly narrowed apertures and compact counters that emphasize density without becoming brittle. The lowercase shows a single-storey “a” and “g,” simple terminals, and a steady vertical rhythm; the capitals are tall and blocky with clean joins and minimal ornamentation. Numerals follow the same compact, robust construction and sit comfortably alongside the letters.
Best suited for headlines, subheads, posters, signage, and packaging where a compact but forceful typographic presence is needed. It can also work for UI labels, navigation, and short informational text that benefits from strong contrast against the background, though longer passages may feel dense at smaller sizes due to the tight counters.
The overall tone is assertive and no-nonsense, with a strong, compact voice that reads as practical and confident. It feels contemporary and utilitarian rather than decorative, with a slightly industrial straightforwardness suited to clear messaging.
The design appears intended to deliver strong emphasis in limited horizontal space while keeping letterforms straightforward and familiar. Its condensed build and heavy color aim for immediate legibility and punch, prioritizing clarity and consistency over expressive flourishes.
The sample text shows even texture and stable spacing, producing a solid typographic block with little sparkle. Round letters (like O/C/G) stay smoothly drawn, while straight-sided forms (like E/F/H/N) maintain crisp, vertical structure, reinforcing an overall disciplined, condensed rhythm.