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Free for Commercial Use

Sans Superellipse Orkil 8 is a bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'Miura' by DSType, 'Fairweather' by Dharma Type, 'Benton Sans' and 'Benton Sans Std' by Font Bureau, 'ITC Franklin' by ITC, and 'JAF Bernini Sans' by Just Another Foundry (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, condensed, authoritative, industrial, sporty, poster-like, space saving, impact, geometric consistency, display emphasis, compressed, monolinear, closed apertures, tight spacing, rounded corners.


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This typeface is a tightly condensed sans with strong vertical emphasis and compact letterfit. Strokes are largely uniform with subtle modulation, and many curves resolve into rounded-rectangle shapes, giving bowls and counters a squarish, superelliptical feel. Terminals are mostly straight and clean, with rounded corners that soften the overall geometry. Counters are relatively small and apertures tend toward closed forms, producing dense, high-impact word shapes; the numeral set matches the same compact, sturdy construction.

Well suited to headlines and display typography where vertical economy and impact are priorities, such as posters, cover lines, packaging panels, and brand marks. Its condensed proportions also make it useful for signage or labeling where space is limited but a strong presence is desired.

The overall tone is forceful and functional, combining a modern, engineered geometry with a slightly retro, poster-era density. It feels direct and no-nonsense, suited to messaging that needs to read as confident, controlled, and space-efficient.

The design appears intended to deliver maximum visual punch in minimal horizontal space, using a geometric, rounded-rectangle skeleton to keep forms consistent and sturdy at large sizes. Its compact counters and tight rhythm prioritize bold, attention-grabbing typography over airy text settings.

Uppercase forms read especially tall and narrow, creating a strong headline rhythm, while lowercase maintains a comparable compressed texture with compact bowls and short extenders. Round letters like O/C/G appear more squared-off than circular, reinforcing a constructed, geometric personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸