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Sans Superellipse Agdig 3 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Acumin' by Adobe, 'Resolve Sans' by Fenotype, and 'Classic Grotesque' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, labels, playful, retro, friendly, handmade, compact, space saving, display impact, friendly tone, retro flavor, rounded, soft corners, condensed, blobby, quirky.


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This typeface features compact, condensed letterforms built from rounded-rectangle geometry, with soft corners and gently bulging strokes. Curves resolve into squarish bowls and counters, creating a superelliptical rhythm across round letters like C, O, and Q. Terminals are blunt and slightly uneven in feel, lending a subtly handmade texture while maintaining consistent stroke weight. The lowercase is simple and sturdy, with single-storey a and g, a short, boxy t, and a narrow, vertical emphasis throughout; numerals follow the same compact, rounded construction.

It is best suited to attention-grabbing applications such as headlines, posters, packaging, labels, and brand marks where a compact, bold presence is useful. It can also work for short bursts of text (taglines, UI callouts, captions) when a friendly, retro-leaning voice is desired.

The overall tone is approachable and quirky, balancing a clean sans structure with a warm, slightly imperfect personality. Its condensed, chunky shapes evoke a retro display sensibility—casual, energetic, and a bit whimsical—without becoming overtly decorative.

The design appears intended to deliver maximum impact in minimal width, using rounded-rectangle forms to create a distinctive, cohesive texture. Its slightly irregular, softened construction suggests an aim for approachability and character while preserving a clear, legible sans framework.

The narrow proportions and tight internal spaces give the font strong vertical momentum and a dense, poster-like color on the page. Round punctuation and compact joins help keep the texture consistent in longer lines, while distinctive shapes (notably the Q and the squarish O) add character in headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸