Sans Superellipse Fidus 8 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Futo Sans' by HB Font, 'ITC Handel Gothic' by ITC, 'Sans Beam' by Stawix, and 'NeoGram' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, app ui, sporty, techy, confident, dynamic, modern, speed emphasis, display impact, modern utility, brand presence, rounded corners, oblique slant, compact, geometric, sturdy.
A heavy, forward-slanted sans with squared-off curves and rounded rectangle construction in bowls and counters. Strokes are uniform and sturdy, with smooth joins and clipped terminals that keep shapes clean and compact. Round letters like O/Q read as superelliptical rather than circular, while diagonals (A, V, W, X) are crisp and wide-stance, giving the set a stable, engineered feel. Numerals are similarly robust and streamlined, with simple, blocky forms and consistent spacing that favors legibility at display sizes.
Best suited for short, high-impact settings such as headlines, branding lockups, sports and automotive-style graphics, product packaging, and tech-forward interface labels. The strong slant and dense color make it especially effective for emphasis in display typography, while the clean geometry can also support concise UI or wayfinding elements when used at sufficient size.
The overall tone is energetic and assertive, with a speed-oriented slant that suggests motion and performance. Its rounded-rect geometry adds a contemporary, tech-forward flavor, while the dark color and compact silhouettes project confidence and impact.
The design appears intended to deliver a fast, modern display voice built on rounded-rect geometry, balancing punchy emphasis with controlled, legible forms. It prioritizes a cohesive italic rhythm and sturdy construction to communicate performance, precision, and contemporary utility.
The italic angle is strong and consistent across capitals, lowercase, and figures, creating a cohesive rhythm in text. Lowercase forms lean toward single-storey, simplified constructions (notably in a and g), reinforcing a utilitarian, modern voice. The set maintains a tight, controlled feel—more streamlined than playful—without sharp aggression thanks to the softened corners.