Sans Superellipse Vanet 12 is a regular weight, very wide, monoline, upright, normal x-height font.
Keywords: ui text, app branding, tech branding, wayfinding, packaging, futuristic, techno, clean, sleek, geometric, geometric system, digital modernity, clean legibility, brand distinction, rounded, modular, squared-off, smooth, streamlined.
A geometric sans with a superelliptical construction: strokes stay consistent in thickness while corners and joins resolve into soft, squared curves. Many letters are built from rounded-rectangle bowls and open counters, producing a modular rhythm and wide, stable proportions. Terminals are predominantly flat or gently rounded, and curves tend to transition into short horizontals/verticals rather than continuous circles, giving the design a crisp, engineered look. Numerals follow the same rounded-rect geometry, with simplified, open forms that maintain the font’s even texture in text.
Well suited to user interfaces, dashboards, and product touchpoints where a clean, contemporary sans is desired. It also fits tech-oriented branding, packaging, and environmental graphics that benefit from a futuristic geometric flavor. Larger sizes highlight the distinctive superelliptical curves, while text settings keep a steady, even color.
The overall tone reads modern and technical, with a calm, controlled feel. Its rounded-square geometry suggests digital interfaces and industrial design rather than humanist warmth, creating a contemporary, slightly sci‑fi voice that still stays approachable due to the softened corners.
The font appears intended to translate rounded-rectangle/superellipse geometry into a practical sans for modern communication. It balances a distinctive, futuristic construction with straightforward letterforms to remain usable across both display moments and everyday interface-style text.
The design favors clarity through generous interior space and consistent stroke behavior, which keeps lines of text visually uniform. Distinctive rounded-square bowls and open apertures make the letterforms feel systematized and ‘designed on a grid,’ especially in the curved characters and numerals.