Sans Superellipse Kynul 11 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Kallisto' by Device, 'Neusa Neu' by Inhouse Type, 'Refinery' by Kimmy Design, and 'Tactic Round' and 'Tactic Sans' by Miller Type Foundry (names referenced only for comparison).
Keywords: headlines, sports branding, posters, packaging, app titles, sporty, techy, dynamic, confident, futuristic, impact, speed, modernity, brand presence, display strength, rounded corners, oblique, extended, squared rounds, compact apertures.
A heavy, oblique sans with broad proportions and a superelliptical construction: curves read as rounded rectangles, and corners are consistently softened rather than fully circular. Strokes are monolinear and dense, with tight internal counters and compact apertures that emphasize a solid, blocky silhouette. The rhythm is forward-leaning and engineered, with smooth joins and minimal modulation; numerals and capitals follow the same squared-round logic for a cohesive, high-impact texture.
Best suited to short, high-visibility text such as headlines, sports and esports identities, event posters, product packaging, and attention-grabbing UI titles. The dense, closed shapes and tight counters make it more effective at display sizes than in long paragraphs or small text.
The overall tone is fast and assertive, combining a sporty, performance feel with a clean, tech-forward sheen. Its rounded-rectangle geometry keeps it friendly enough for contemporary branding, while the heavy slant and tight counters add urgency and momentum.
The design appears intended to deliver a modern, high-energy voice by pairing a sturdy, monoline build with superelliptical rounding and an integrated oblique stance. Its geometry prioritizes impact and cohesion, aiming for a distinctive, contemporary look that feels both engineered and athletic.
Letterforms maintain a consistent corner radius across the set, which creates strong family resemblance between rounds (C, O, Q) and straighter forms (E, F, T). The italics are clearly built into the design rather than an afterthought, with diagonals and terminals aligning to a unified forward angle that supports punchy, headline-driven setting.