Sans Superellipse Kifi 3 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Archetica' by Almarkha Type, 'European Sans Pro' by Bülent Yüksel, 'HD Colton' by HyperDeluxe, 'Helvetica Now' by Monotype, 'Amsi Grotesk' and 'Eastlane' by Stawix, and 'Nuber Next' by The Northern Block (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, packaging, sporty, modern, assertive, dynamic, technical, impact, speed, modernization, approachability, oblique, rounded, compact curves, slanted terminals, tight apertures.
A heavy, forward-slanted sans with rounded-rectangle (superelliptical) curves and a firm, even stroke weight. The shapes favor broad proportions and smooth, squared-off rounds, producing sturdy counters and softened corners rather than sharp geometry. Terminals are clean and generally flat, with an overall right-leaning rhythm that keeps letterforms energetic while maintaining consistent spacing and a strong baseline presence. Numerals and capitals follow the same robust, streamlined construction, emphasizing clarity and impact over delicacy.
Best suited for headlines, logos, and display typography where a strong, fast-looking presence is desirable. It can work well for sports and automotive-themed branding, punchy packaging, and promotional graphics, and it holds together in short paragraphs when set with generous line spacing.
The tone is brisk and confident, with a distinctly kinetic, performance-oriented feel. Its rounded geometry keeps it approachable, while the strong slant and dense color give it a decisive, contemporary voice suited to attention-grabbing messaging.
The design appears intended to combine the impact of a heavy display sans with a streamlined, aerodynamic slant and friendly rounded geometry. It prioritizes bold presence and quick recognition, suggesting use in contemporary identity systems and high-energy editorial or advertising contexts.
Round letters stay compact with relatively tight apertures, helping the design read as solid and continuous in longer lines. The italic angle is consistent across cases, and the overall silhouette remains smooth and controlled, avoiding calligraphic modulation in favor of engineered uniformity.