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Free for Commercial Use

Sans Normal Lyges 7 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Archetica' by Almarkha Type, 'Newhouse DT' by DTP Types, 'Rational' by René Bieder, 'Crique Grotesk' by Stawix, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, punchy, energetic, retro, confident, impact, speed, display, branding, emphasis, slanted, compact, chunky, rounded, dynamic.


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This typeface is a heavy, right-slanted sans with broad, rounded forms and tightly controlled counters. Strokes are consistently thick with smooth curves and blunt terminals, giving letters a compact, pressure-filled silhouette. The slant reads as a true italic construction rather than a simple shear, with diagonals and joins tuned for forward motion. Spacing appears firm and slightly tight, and the overall rhythm is dense and poster-ready, with numerals matching the same sturdy, rounded construction.

It excels in headlines, short bursts of copy, and large-scale applications where bold, slanted letterforms need to read instantly—such as posters, event graphics, sports and fitness branding, packaging callouts, and punchy signage. For longer settings, it will be most effective used sparingly for emphasis or section headers rather than continuous body text.

The overall tone is assertive and kinetic, with a sporty, display-driven feel. Its strong massing and forward lean suggest speed and impact, while the rounded geometry keeps it friendly rather than aggressive. The result feels well suited to attention-grabbing, upbeat messaging with a subtle vintage-athletic edge.

The design appears intended as a high-impact italic display sans that prioritizes speed, presence, and strong silhouette clarity. Its rounded, monoline construction and tight internal spaces suggest a focus on bold branding and promotional typography where immediacy and energy are key.

In text, the large black shapes dominate quickly, so it performs best when allowed generous leading and clear contrast with the background. The italic angle is pronounced enough to create a strong directional flow, which can enhance headlines but may feel intense in long paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸