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Free for Commercial Use

Sans Faceted Abmip 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Pierce Jameson' by Grezline Studio (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, signage, industrial, retro, assertive, techy, mechanical, impact, geometric edge, machined feel, distinctive display, angular, faceted, blocky, stencil-like, chiseled.


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A heavy, angular display face built from planar facets that replace curves with crisp chamfers and straight segments. Strokes are largely monolinear, with squared terminals and frequent corner cuts that create a carved, geometric rhythm across both uppercase and lowercase. Counters tend toward rectangular forms, apertures are tight, and joins are abrupt, producing compact silhouettes with strong vertical emphasis. Numerals follow the same faceted construction, reading as sturdy, sign-like figures with hard corners and minimal rounding.

Best suited to display settings where its faceted construction can be appreciated—posters, headers, title cards, labels, and bold brand marks. It can also work well for signage or interface moments that want a rugged, technical voice, especially when set with generous tracking and ample size.

The overall tone feels tough and utilitarian, with a retro-mechanical edge reminiscent of fabricated lettering and hard-surfaced design. Its sharp geometry communicates decisiveness and a slightly aggressive energy, lending a rugged, engineered character to headlines and short statements.

The design appears intended to deliver a high-impact, geometric style that evokes constructed or machined lettering, trading softness for sharp planes and decisive terminals. It prioritizes distinctive silhouette and surface-like faceting for strong, thematic display typography.

The faceting is applied consistently enough to read as a system rather than incidental distortion, giving the font a distinctive “cut metal” look. At smaller sizes the tight counters and dense texture may reduce clarity, while at larger sizes the angular detailing becomes the main visual feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸