Sans Superellipse Bymor 1 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Coign' by Colophon Foundry, 'Fatbold Slim' by IKIIKOWRK, 'Cimo' by Monotype, 'Hype Vol 1' by Positype, 'Fixture' by Sudtipos, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, editorial display, industrial, condensed, impactful, modern, poster-like, high impact, space saving, modern utility, display emphasis, monoline, tall, compressed, geometric, squared rounds.
This typeface is built on tall, compressed proportions with a strong, uniform stroke that reads as monoline. Curves are tightened into rounded-rectangle shapes, giving bowls and counters a superelliptical, squared-round feel rather than fully circular forms. Terminals are predominantly flat and blunt, with minimal modulation and a clean, constructed rhythm. Spacing appears tight and vertical emphasis is strong, creating dense word silhouettes and high ink coverage in text settings.
Best suited for large-size display work where density and impact are desired, such as posters, attention-grabbing headlines, and bold branding systems. It can also perform well on packaging and promotional graphics where vertical space is limited and a condensed voice helps fit copy without losing prominence.
The overall tone is assertive and utilitarian, with a contemporary, industrial edge. Its narrow, towering shapes and heavy presence suggest urgency and strength, leaning toward headline-driven communication rather than nuance. The squared-round geometry adds a modern, engineered character that feels direct and no-nonsense.
The design appears intended to deliver maximum visual punch in a compact width, pairing heavy, even strokes with squared-round geometry for a modern, engineered feel. It prioritizes strong texture and clear, simplified forms that hold up in bold display settings.
Round letters like O/C/G and numerals adopt vertically stretched, rounded-rectangle outlines, while diagonals (V/W/X/Y) remain crisp and angular, reinforcing a constructed look. The lowercase maintains a compact, upright stance with simplified joins and counters that stay relatively tight, supporting strong color and consistency across lines.