Font Hero

Free for Commercial Use

Serif Other Urso 2 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Poynter Gothic' by Font Bureau; 'SST', 'SST Arabic', and 'SST Vietnamese' by Monotype; 'Interval Next' by Mostardesign; 'Core Gothic N', 'Core Sans N', and 'Core Sans NR' by S-Core; and 'Bitner' and 'Kobern' by The Northern Block (names referenced only for comparison).

Keywords: logotypes, posters, headlines, packaging, signage, gothic, heraldic, medieval, dramatic, traditional, historic flavor, display impact, emblematic branding, engraved feel, blackletter-adjacent, beveled, faceted, angular, chiseled.


Free for commercial use
Customize the font name

A heavy, faceted serif design with sharply chamfered corners and a carved, polygonal construction. Strokes are mostly straight with abrupt angle changes rather than smooth curves, producing octagonal counters and clipped terminals in many letters (notably O/Q and numerals). Serifs are present but often integrated as wedge-like spurs or notched endings, giving the outlines a cut-stone, engraved feel. The rhythm is compact and sturdy, with tight interior spaces in the lowercase and strong, blocky capitals that maintain consistent vertical stress and crisp edge geometry.

Best suited to display settings where its angular detailing and dense color can be appreciated—such as logotypes, headlines, posters, packaging, and period-flavored signage. It works well for short text and titling that aims to feel traditional or ceremonial, but may feel heavy and busy in small sizes or long passages.

The font conveys a gothic, ceremonial tone with a sense of tradition and authority. Its chiseled shapes and sharp joins evoke signage, crests, and historical display typography, reading as assertive, dramatic, and slightly archaic rather than casual or modern.

The design appears intended to reinterpret classic serif display forms through a faceted, cut-letter approach, emphasizing chiseled corners and emblematic silhouettes for strong branding impact. It prioritizes presence and historic flavor over neutral readability.

Uppercase forms are especially monolithic and emblematic, while the lowercase retains the same angular logic with simplified, sturdy structures. The numerals follow the same faceted language, with an octagonal 0 and strongly cornered 2/3/5 forms that reinforce the decorative, engraved character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸