Sans Superellipse Ollus 2 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Cream Opera' by Factory738, 'Miguel De Northern' by Graphicxell, and 'Sugo Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, punchy, confident, modern, utilitarian, compact impact, space saving, display clarity, modern utility, condensed, blocky, rounded corners, compact, sturdy.
A condensed, heavy sans with a compact footprint and softened geometry. Strokes stay consistently thick with minimal modulation, and terminals are predominantly straight-cut with subtly rounded corners that keep the forms from feeling brittle. Counters are tight but clear, producing a dense texture in text, while the overall construction favors squared, superellipse-like bowls and pragmatic, vertical proportions. The lowercase shows a tall x-height and short extenders, contributing to a stacked, space-efficient rhythm.
This font excels in short, high-impact settings such as headlines, posters, product packaging, wayfinding, and bold brand wordmarks where a dense, condensed texture is an advantage. Its tall lowercase and sturdy forms help maintain legibility at medium-to-large sizes, especially in tight horizontal spaces.
The tone is assertive and workmanlike, balancing a no-nonsense, industrial solidity with a friendly hint from the rounded corners. It reads as contemporary and attention-grabbing rather than delicate, projecting confidence and impact in headlines and labels.
The design appears intended to deliver maximum visual impact in a compact width, using simplified, rounded-rectangular construction to stay clean and consistent across letters and numbers. It prioritizes strong typographic color and straightforward readability for display-driven applications.
The uppercase has a poster-like presence with compact internal spaces; curves (C, G, S) are built from rounded-rectangle logic rather than calligraphic arcs. Numerals follow the same sturdy, condensed construction, keeping the overall color consistent across mixed alphanumeric settings.