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Free for Commercial Use

Sans Superellipse Ollus 2 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Cream Opera' by Factory738, 'Miguel De Northern' by Graphicxell, and 'Sugo Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, industrial, punchy, confident, modern, utilitarian, compact impact, space saving, display clarity, modern utility, condensed, blocky, rounded corners, compact, sturdy.


Free for commercial use
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A condensed, heavy sans with a compact footprint and softened geometry. Strokes stay consistently thick with minimal modulation, and terminals are predominantly straight-cut with subtly rounded corners that keep the forms from feeling brittle. Counters are tight but clear, producing a dense texture in text, while the overall construction favors squared, superellipse-like bowls and pragmatic, vertical proportions. The lowercase shows a tall x-height and short extenders, contributing to a stacked, space-efficient rhythm.

This font excels in short, high-impact settings such as headlines, posters, product packaging, wayfinding, and bold brand wordmarks where a dense, condensed texture is an advantage. Its tall lowercase and sturdy forms help maintain legibility at medium-to-large sizes, especially in tight horizontal spaces.

The tone is assertive and workmanlike, balancing a no-nonsense, industrial solidity with a friendly hint from the rounded corners. It reads as contemporary and attention-grabbing rather than delicate, projecting confidence and impact in headlines and labels.

The design appears intended to deliver maximum visual impact in a compact width, using simplified, rounded-rectangular construction to stay clean and consistent across letters and numbers. It prioritizes strong typographic color and straightforward readability for display-driven applications.

The uppercase has a poster-like presence with compact internal spaces; curves (C, G, S) are built from rounded-rectangle logic rather than calligraphic arcs. Numerals follow the same sturdy, condensed construction, keeping the overall color consistent across mixed alphanumeric settings.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸