Slab Monoline Peri 11 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, packaging, signage, logotypes, industrial, retro, technical, utilitarian, sturdy, industrial clarity, display impact, geometric construction, signage utility, octagonal, squared, machined, ink-trap, high-contrast presence.
A slab-serif design built from straight, monoline strokes with squared terminals and frequent chamfered corners that create an octagonal, machined silhouette. Serifs read as blunt, rectangular feet and caps, giving stems a sturdy, engineered footing rather than a calligraphic feel. Curves are minimized and often faceted (notably in bowls and rounds), producing a crisp, geometric rhythm. Lowercase forms are compact and workmanlike, with a single-storey a and g, a narrow r, and a simple t; counters tend to be squared and slightly tightened, helping the font hold together at display sizes.
Best suited to headlines, posters, and short text where its squared slabs and chamfered geometry can read clearly and set a strong voice. It also fits packaging, labels, and wayfinding/signage aesthetics that benefit from an industrial, fabricated look. For long-form reading, it will be most effective in larger sizes where the compact counters and faceted rounds stay open.
The overall tone is pragmatic and mechanical, evoking labeling, equipment markings, and vintage industrial typography. Its faceted geometry adds a subtle retro-futurist edge while remaining straightforward and legible. The slab details and squared construction communicate durability and no-nonsense clarity.
The design appears intended to combine the authority of slab serifs with a geometric, cut-metal construction. By keeping stroke weight even and corners chamfered, it aims for a sturdy, technical personality that feels at home in industrial and retro display contexts.
Numerals follow the same angular logic, with segmented-looking diagonals and clipped corners that reinforce the technical feel. The uppercase set reads particularly uniform and sign-like, while the lowercase introduces modest variation in widths that keeps text from feeling overly rigid.