Sans Superellipse Rimib 4 is a regular weight, very narrow, high contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, packaging, signage, art deco, industrial, futuristic, elegant, editorial, space-saving display, streamlined modernism, signage clarity, geometric styling, condensed, geometric, squared-round, monolinear feel, tall caps.
A condensed sans with tall proportions and a pronounced vertical emphasis. Stems are straight and narrow, while rounds are built from squared-off, rounded-rectangle curves, giving counters a superellipse feel (notably in O, C, D, and 0). Contrast is visible within the glyphs—thin joins and terminals against sturdier verticals—yet the overall construction stays clean and geometric. Terminals are mostly flat and crisp, with occasional short horizontal beaks and compact crossbars that keep the rhythm tight. The lowercase is similarly narrow with compact bowls and simple, upright forms, maintaining consistent spacing and a disciplined, columnar texture in text.
Best suited to headlines and short lines where its tall, condensed silhouettes can create impact without using much horizontal space. It works well for branding systems, packaging, and signage that benefit from a streamlined, geometric voice, and it can add a period-modern accent to editorial display settings.
The tone reads sleek and architectural, with a strong Deco/modernist flavor. Its narrow build and squared-round curves suggest signage, machinery labels, and streamlined display typography, balancing sophistication with a slightly utilitarian edge.
The letterforms appear designed to deliver a space-saving, high-style display sans that combines geometric discipline with squared-round curves. The goal seems to be a distinctive, structured rhythm that evokes modernist and Deco-era signage while staying minimal and contemporary in finish.
The design leans on repeated vertical strokes (especially in H, M, N, and the lowercase m/n), creating a strong grid-like cadence. Numerals follow the same squared-round logic, with closed shapes that feel sturdy and structured. In running text the condensed width increases perceived tracking, producing an airy yet tall, metropolitan texture.