Sans Faceted Abrik 2 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Oso Sans' by Adobe, 'Plasma' by Corradine Fonts, 'Chortler' by FansyType, 'Panton Rust' by Fontfabric, 'FS Sinclair' by Fontsmith, 'Futo Sans' by HB Font, 'Rasane' by Locomotype, and 'Oyko' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, signage, industrial, sporty, techy, assertive, retro, impact, machined look, geometric styling, display voice, chamfered, octagonal, blocky, stencil-like, compact.
A heavy, block-built sans with prominent chamfered corners that turn curves into crisp, planar facets. Strokes are uniform and orthogonal, with a squared-off rhythm and tight internal counters that stay open through angular cut-ins. Uppercase forms are broad and architectural, while the lowercase maintains sturdy, compact shapes with the same octagonal logic; round letters like O/C/G read as polygonal loops rather than true curves. Numerals follow the same faceted construction and feel sign-ready, with strong horizontal terminals and minimal modulation.
Best suited to display applications such as headlines, posters, branding marks, packaging panels, and signage where a strong, geometric voice is needed. It can also work for short UI labels or badges when clarity and punch are prioritized over long-form comfort.
The overall tone is tough and functional, mixing industrial signage energy with a sporty, arcade-like edge. Its sharp facets and dense color give it an engineered, impact-first personality suited to bold statements and attention-grabbing labels.
The design appears intended to translate a bold sans structure into a faceted, chamfered system that feels manufactured and durable. By replacing curves with angled planes, it emphasizes impact, consistency, and a distinctive polygonal silhouette across letters and numbers.
The angular cut corners create a consistent ‘machined’ texture across lines of text, producing a steady, rugged rhythm at display sizes. Because the counters are relatively tight in several letters, the face reads best when given generous spacing and sufficient size, where the facets become a distinctive feature rather than visual noise.