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Free for Commercial Use

Sans Normal Bimaj 14 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Neue Haas Unica' and 'Neue Haas Unica Paneuropean' by Linotype, 'NeoGram' by The Northern Block, and 'TT Hoves Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, branding, posters, ui labels, signage, modern, friendly, confident, clean, approachable, clarity, impact, versatility, modernity, rounded, geometric, closed apertures, large counters, even weight.


Free for commercial use
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This typeface presents a sturdy sans with rounded, geometric construction and an even, consistent stroke weight. Curves are smooth and broadly circular, with generous counters that keep letters open at display sizes, while terminals are clean and mostly straight or softly squared rather than calligraphic. Uppercase forms feel stable and compact, and lowercase shapes maintain a straightforward rhythm with a single-storey “g” and simple, efficient joins. Numerals match the same solid, rounded logic and sit comfortably alongside text without appearing overly condensed or extended.

It performs best in headlines, branding marks, packaging, posters, and prominent UI labels where its solid presence and rounded geometry read quickly. It can also serve for short paragraphs or informational text when a confident, contemporary sans voice is desired.

Overall tone is modern and approachable, with a friendly softness coming from the rounded bowls and simple forms. The weight and compact shapes lend confidence and clarity, making the voice feel direct rather than delicate or expressive.

The design appears intended as a contemporary, high-impact sans that balances geometric roundness with practical readability. Its consistent weight and uncomplicated shapes suggest a focus on clear communication and versatile use across digital and print settings.

In longer text, the color is fairly uniform, producing a strong, poster-like presence. Round letters (C, O, Q) and verticals (I, l) read crisply, while the relatively closed shapes in letters like S and a contribute to a compact, punchy texture.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸