Sans Superellipse Olgif 6 is a regular weight, narrow, monoline, upright, short x-height font visually similar to 'Decomputer' by DMTR.ORG (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, retro, friendly, technical, playful, tidy, space-saving, clear labeling, geometric voice, retro utility, friendly tech, rounded, compact, geometric, soft-cornered, sturdy.
A compact, monoline sans with a pronounced rounded-rectangle (superellipse) construction throughout. Strokes are even and relatively heavy for the design’s narrow proportions, with softened corners and clean, squared terminals that keep the texture orderly. Curved letters like C, O, and S read as tall, rounded boxes, while verticals stay straight and rigid, creating a consistent, engineered rhythm. Counters are moderately tight and apertures are controlled, giving the type a dense, sign-ready color in text and strong silhouette clarity in display sizes.
Best suited to short-to-medium display settings where its compact width and strong, rounded geometry can read quickly—posters, titles, logos, packaging, and signage. It can also work in UI labels, navigation, and technical infographics when a friendly-but-structured tone is desired, though its dense texture suggests more caution for extended small-size reading.
The overall tone feels retro-modern and slightly industrial, like mid-century labeling or transport/wayfinding forms interpreted through a softer, friendlier geometry. Rounded corners keep it approachable, while the narrow stance and strict stroke logic lend a technical, utilitarian confidence. In longer lines it carries a playful, quirky personality without becoming chaotic.
The design appears intended to blend utilitarian narrow lettering with a softened, superelliptical geometry, creating a distinctive, contemporary-retro voice. It prioritizes consistent construction and a tight, space-saving rhythm while maintaining approachability through rounded corners and simplified forms.
Distinctive superelliptical curves show up consistently in both caps and lowercase, producing a recognizable “rounded-rectangle” voice. Figures follow the same construction, with compact widths and uniform stroke behavior that supports consistent alignment in tabular or UI-like contexts. The punctuation and simple shapes (like i/j dots) appear square and restrained, reinforcing the font’s tidy, modular feel.