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Serif Normal Arlok 3 is a very bold, wide, high contrast, italic, normal x-height font visually similar to 'Renault EF' by Elsner+Flake, 'Renault SB' by Scangraphic Digital Type Collection, and 'Renault' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, magazine, branding, book covers, editorial, classic, authoritative, dramatic, retro, display impact, editorial voice, classic styling, dramatic emphasis, bracketed, swashlike, ball terminals, ink-trap hints, calligraphic.


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A robust italic serif with pronounced diagonal stress and sharply tapered stems that create a lively, calligraphic rhythm. Serifs are clearly bracketed and often wedge-like, with tight joins and pointed details that sharpen the silhouette in display sizes. Counters are relatively compact and the curves show strong thick–thin modulation; terminals frequently finish in angled cuts or subtle ball-like endings, giving letters a slightly sculpted, engraved feel. The figures are sturdy and oldstyle-leaning in character, with round forms that maintain strong contrast and a forward-leaning, energetic stance.

This design performs best in short to medium-length settings such as headlines, subheads, pull quotes, and cover typography where its contrast and energetic italic stance can be appreciated. It also suits branding and packaging that want a classic, print-forward voice, and can work for display-heavy editorial layouts where strong typographic hierarchy is needed.

The tone is traditional and emphatic—well suited to assertive, headline-driven typography that wants to feel established and editorial. Its slanted, high-contrast construction adds drama and motion, suggesting classic print culture, vintage signage, and formal storytelling.

The font appears intended to deliver a bold, tradition-rooted italic voice that feels both editorial and decorative, balancing familiar serif construction with extra emphasis through contrast and dramatic terminals. Its design prioritizes recognizability and impact in display use while retaining a conventional serif structure.

The italic forms are assertive rather than delicate: shoulders and bowls feel compact and weighty, while serifs and terminals provide crisp punctuation at the edges. Overall spacing reads steady and headline-friendly, with distinctive letter silhouettes that favor personality over neutrality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸